Following on the heels of Robert Zemeckis' previous motion-capture endeavors, The Polar Express and Beowulf, A Christmas Carol is a lavish and spectacular motion picture, and much of its irrepressible spirit and wonder is owed to Alan Silvestri's extroverted and uninhibited musical score.
Much use is made of the same lush and festive orchestrations and emotion found in The Polar Express: tolling bells, processional timpani, dancing chimes and nearly royal-sounding brass chorales resonate with symphonic might, clarity and dignity heard all too little in modern film scoring, and the resulting musical flavour is a delicious, sparkling one indeed, and it proves significantly more entertaining than Silvestri's other blockbuster scores of 2009, Night at the Museum: Battle of the Smithsonian and G.I. Joe.
Traditional Approach in Silvestri's Festive Score
The approach taken thematically in A Christmas Carol is definitely more traditional and religion-based, however, as well as more emotionally diverse, resulting in a more well-rounded holiday score.
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